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What is America missing that gives Korean cinema an edge over the domestic crap we call film? Simple, we still have a Cold War between the North and the South which invites many exciting scripts and opportunities.

13 Sep

For years many of America’s greatest films have a basis in some form of Cold War tension or potential disaster. Think about the many James Bond movies, or movies like The Spy Who Came in From Out of the Cold (previously reviewed on this site), Tom Clancy’s The Hunt for Red October, and the list could go on and on. However with the Cold War essentially over in 1989 all these great spy and other similar type dramas had withered away at least here in America.

Let us not forget though that North and South Korea are still technically at war.  Only an armistice has been signed, not a treaty, so to say they have a Cold War between two countries is actually an understatement. Now that Sonny boy has taken over and is posing for the world by blowing up his uncles and other relatives, the potential for story lines is wide open not only for the division of North and South Korea but also for the unification of North and South Korea. Perhaps even our idiotic American writers could come up with a good script. Since 1950 we have had over 50 years of tales of the North brainwashing its citizens and the South trembling at the size of their army, each country spying the balls out of the other, the North using torture, the South using more conventional techniques. You also get some good tangential spinoffs like City Hunter (previously reviewed on this site). That’s not to even mention the gangster movies (though they have nothing to do with the Cold War). You get all three. It’s a writer’s dream. Women are even given a stronger role in Korean movies and television shows than they used to be. So let’s take a look. The next three movies we review will embody this blend of Cold War situations and themes and gritty writing. But if you are an American director, take note: we at JPFMovies are not advocating that you copy any more Asian films. These movies and shows are offered as role models and not as material to be plagiarized (as Spike Lee just did with Old Boy):

Joint Security Area

Poongsang Dog

IRIS

Stay alert. But beware. Once you get hooked on really good Korean cinema, you may not find yourself able to set foot in an American theater ever again. We at JPFMovies know this for a fact, as it has been over a decade since we had the stomachs for American film.

 
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Posted by on September 13, 2014 in Movie Reviews

 

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